The Fire Next Time

Description

Author: Baldwin James

Brand: Vintage

Color: Multicolor

Edition: Reissue

Features:

• Vintage

Package Dimensions: 13x203x136

Number Of Pages: 128

Release Date: 01-12-1992

Details: Product Description

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation, gave passionate voice to the emerging civil rights movement—and still lights the way to understanding race in America today.  

“Basically the finest essay I’ve ever read. . . . Baldwin refused to hold anyone’s hand. He was both direct and beautiful all at once. He did not seem to write to convince you. He wrote beyond you.” —Ta-Nehisi Coates

 
At once a powerful evocation of James Baldwin’s early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document from the iconic author of
If Beale Street Could Talk and
Go Tell It on the Mountain. It consists of two “letters,” written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by 
The New York Times Book Review as “sermon, ultimatum, confession, deposition, testament, and chronicle…all presented in searing, brilliant prose,” 
The Fire Next Time stands as a classic of literature.

Amazon.com Review

It’s shocking how little has changed between the races in this country since 1963, when James Baldwin published this coolly impassioned plea to “end the racial nightmare.”
The Fire Next Time–even the title is beautiful, resonant, and incendiary. “Do I really
want to be integrated into a burning house?” Baldwin demands, flicking aside the central race issue of his day and calling instead for full and shared acceptance of the fact that America is and always has been a multiracial society. Without this acceptance, he argues, the nation dooms itself to “sterility and decay” and to eventual destruction at the hands of the oppressed: “The Negroes of this country may never be able to rise to power, but they are very well placed indeed to precipitate chaos and ring down the curtain on the American dream.”
Baldwin’s seething insights and directives, so disturbing to the white liberals and black moderates of his day, have become the starting point for discussions of American race relations: that debasement and oppression of one people by another is “a recipe for murder”; that “color is not a human or a personal reality; it is a political reality”; that whites can only truly liberate themselves when they liberate blacks, indeed when they “become black” symbolically and spiritually; that blacks and whites “deeply need each other here” in order for America to realize its identity as a nation.
Yet despite its edgy tone and the strong undercurrent of violence, The Fire Next Time is ultimately a hopeful and healing essay. Baldwin ranges far in these hundred pages–from a memoir of his abortive teenage religious awakening in Harlem (an interesting commentary on his first novel Go Tell It on the Mountain) to a disturbing encounter with Nation of Islam founder Elijah Muhammad. But what binds it all together is the eloquence, intimacy, and controlled urgency of the voice. Baldwin clearly paid in sweat and shame for every word in this text. What’s incredible is that he managed to keep his cool. –David Laskin

Review

“Basically the finest essay I’ve ever read. . . . Baldwin refused to hold anyone’s hand. He was both direct and beautiful all at once. He did not seem to write to convince you. He wrote beyond you.” –Ta-Nehisi Coates

“So eloquent in its passion and so scorching in its candor that it is bound to unsettle any reader.” —
The Atlantic

From the Publisher

“So eloquent in its passion and so scorching in its candor that it is bound to unsettle any reader.”–The Atlantic

From the Inside Flap

estseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin’s early life in Harlem and a disturbing examination of the consequences of racial injus